Sunday, November 29, 2009

Mail Art: Don't chew food with your mouth open

My "mail art" piece consisted of a card that had several drawings of mouths in pencil on one side. The reverse side was bordered with a quote from little book on table manners advising why one shouldn't chew food with their mouth open. In the center of the quote was a collage of mouths cut out of magazine ads.

UTSA at Radius


Portrait of a Struggling Artist
1 min. Performance
Two artist bound at the wrist attempt to create portrait drawings of each other with ink and brush.

After all is done I think the show at Radius Cafe was a great success. It gave everyone equal opportunity to get their feet wet in a curated show as well as have some experience with performance. I personally am not comfortable being center stage in a packed room but the durations were kept to a minimal and for my performance it was just the right amount of time. Everyone did an awesome job and I'm proud to have been in this show with this group of people.

Thursday, November 5, 2009

The Well-Tuned Piano in The Magenta Lights

La Monte Young
b. 1935 Idaho
1958 B.A. in Music at UCLA
Graduate Studies at U.C. Berkley


Marian Zazeela
b. 1940 New York
1960 B.A. in Painting at Bennington College

La Monte and Marian

Fluxus Compositions

The Well-Tuned Piano in The Magenta Lights
6 Harrison Street Dream House, New York 1987



Interviews

Dream House At Guggenheim Museum


BUY!!!

Wednesday, November 4, 2009

Landscape Piece

Renewed
Mixed Media: Acrylic paint, newspaper, leaves, tree branches and roots on plywood
2.5 ft x 3.5 ft

With the exception of the paint all materials in the piece were found objects in the environment. Newspaper clippings from the business section along with dead plant material were adhered to a weathered piece of plywood from an abandoned lot. Along with the construction of these materials are loose brushstrokes of abstracted forms that work as symbols of human relationship with the landscape. The idea to include found objects came from early Rauschenberg "Combines."

The concept behind this piece was to depict ways in which people leave their mark to claim and use land. The plywood and abstracted post and lintel form reference the use of natural materials to function as shelter from other natural elements. An abstracted flag in reds symbolize how societies claim territory over each other. Newspaper clippings from the business section refer to how natural resources lead to the trading of wealth and the plant material refers to how the land eventually reclaims everything through time.